The Way of the West: Jim Krantz and Ansel Adams

November 2 – December 22, 2017

Jim Krantz

Epic Western No. 33, 2017

40 x 60 inch c-print

Edition of 7

Ansel Adams

Sierra Nevada from Lone Pine. 1944

16 x 20 inch gelatin silver print

Ansel Adams

Clearing Winter Storm. 1944

16 x 20 inch gelatin silver print

Jim Krantz

Epic Western No. 14, 2009

40 x 60 inch c-print

Edition of 7

Jim Krantz

Epic Western No. 35, 2017

40 x 68 inch c-print

Edition of 7

Jim Krantz. 
Epic Western no. 38.  2017. 
40 x 60 inch C-print
Edition of 7

Ansel Adams

Aspens. Northern New Mexico. 1958

16 x 20 inch gelatin silver print

Ansel Adams

Aspens. Rear of Church, Cordova, New Mexico. 1938

16 x 20 inch gelatin silver print

Jim Krantz

Epic Western No. 39, 2017

40 x 60 inch c-print

Edition of 7

Ansel Adams

Teklanika River, Mount McKinley National Park, Alaska. 1947

11 x 14 inch gelatin silver print

Ansel Adams

Windmill Spinning. Owens Valley Near Independence, California. 1935

11 x 14 inch gelatin silver print

Ansel Adams

Vernal Falls, Yosemite National Park, California. 1920

10 x 8 inch gelatin silver print

Ansel Adams

Yellowstone Falls, Yellowstone National Park, Wyoming. 1942

10 x 8 inch gelatin silver print

Ansel Adams.

Old Faithful Geyser, Late Evening. Yellowstone National Park, Wyoming. 1942

14 x 11 inch gelatin silver print

Ansel Adams

Yellowstone Falls, Yellowstone National Park, Wyoming. 1942

10 x 8 inch gelatin silver print

Ansel Adams

Moonrise, Hernandez, New Mexico. 1941

37 x 46 inch collotype

Boss Bishop, 2012. (Modernica x Jim Krantz) Fiberglass Shell Chair, 2017.  32.5” x 18.5”.  Edition of 50. (Image 1 of 8)

Press Release

 

The Way of The West: Jim Krantz and Ansel Adams
November 2 – December 22.
Opening reception, November 2. 6 to 8pm

Danziger Gallery is pleased to announce our forthcoming show pairing the western images of Ansel Adams and Jim Krantz. Each a photographic pioneer in his own right, Adams is well known for majestic black and white landscapes of the American west while Krantz occupies a unique place in the history of contemporary art for his western images that have become iconic depictions of American popular culture.


The Adams/Krantz pairing is not without reason as Krantz studied with Adams in the mid ’70’s, where Adams taught workshops from his home. Driving from Omaha, Nebraska to Carmel at the age of 18 to study with the master, Krantz attended multiple week long workshops throughout his college years and was one of Adams’ most promising students. Becoming a full-time professional photographer at the age of 22, and one of America’s most successful commercial photographers by the age of 30, Krantz credits Adams for his attention to light and composition.

Krantz remembers Adams telling him one thing in particular: “Technical proficiency leads to artistic freedom”.  While the unpredictable elements of a photograph were (to a large extent) the weather for Adams and action for Krantz, pre-visualizing the final image, composition, and perspective was key for both photographers. A strong point of commonality for the two men is that each sought the mythological moment in the real while pushing the boundaries of their medium with the emotive and technical quality of their negatives and prints.

Since Adams’ death in 1984, the quality and consistency of his work rank him as one of the great masters of the medium. Meanwhile Krantz has pursued his passion for photography combining his fine art work with assignments for such notable clients as GQ and Marlboro. Most recently Krantz has collaborated with the cutting edge urban fashion brand Supreme and Los Angeles furniture company Modernica whose original Eames manufacturing equipment embedded eight of Krantz's western images onto their classic fiberglass “Shell” chairs.

Jim Krantz lives with his wife Susan in Hollywood Hills, California.